Monthly Archives: October 2018

London Film Festival 2018 Review: Dragged Across Concrete

Once two overzealous cops get suspended from the force, they must delve into the criminal underworld to get their just due. Despite a synopsis that sounds pretty standard, this is anything but. Unafraid to show us totally different lives and stories without much context to begin with, Dragged Across Concrete plays the slow game with its build up towards its magnificent endgame. While we know everything will soon link up, there’s no rush in showing us how. There are a lot of moving parts within and while certain characters get more development, everyone is given just enough time to leave an impression as well as an impact on the narrative.

Read my full review over at Review Avenue

London Film Festival 2018 Review: Papi Chulo

After a mental breakdown whilst presenting the weather on live TV after a bad break up, Sean (Matt Bomer) is told to take some time off. During this time, he hires Ernesto (Alejandro Patiño) for work labour, but soon begins to pay him to go on excursions and day trips he used to enjoy with his partner. Director John Butler has described Papi Chulo as a comedy about loneliness, but there’s a lot more hidden within the depths of this hugely enjoyable film.

Read my full review over at Review Avenue

London Film Festival 2018 Review: Assassination Nation

Taking all the fears and anxieties that have come to the forefront in a post-Trump America, Assassination Nation tackles these head on at an unrelenting pace. Presenting us with a wildly unrealistic prospect that an entire town would want to kill four girls, it all sounds like the plot for the next entry in The Purge franchise. However, as the utter chaos unfold, it’s scary how we do start to believe in what’s unfolding and don’t even blink at some of the atrocities being performed.

Read my full review over at Review Avenue

London Film Festival 2018 Review: School’s Out

After their teacher jumps out of a window during a lesson, a technically gifted class is given a new substitute teacher, Pierre Hoffman (Laurent Lafitte).  As soon as Hoffman takes his first class, we know something is off about a handful of the kids. They’re arrogant and snarky but this doesn’t come across as annoying. Instead, it’s all rather unsettling. Is their behaviour down to what they witnessed, or something else?

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